Monday, September 16, 2019

Magic & Witchcraft in Anglo-Saxon England

Recommended Listening: Hagalaz' Runedance - Frigga's Web

Due to the lack of written information, other than what was recorded by Christian missionaries, we unfortunately have very little knowledge of the role of magic within Anglo-Saxon England during the two centuries that it thrived under heathen rule before the conversion in the 6th century. However, from the sources that have survived, we can confidently assume that the Germanic people who inhabited Britain "all had a view of nature of what we could call enchanted", as stated by Dr. Brian Bates in his writings in The Real Middle-Earth. It is believed that the people of heathen Britain were incredibly superstitious; believing in spiritual entities and supernatural forces that can change and affect the physical world, which is something we often struggle to understand in today's modern and scientific society.


One of the most prominent sources that we will find references to the use of magic and heathen beliefs during The Dark Ages can be found in Christian writings by authors like Bede, the Northumbrian monk, in books such as The Ecclesiastical History of the English Nation and De Temporum Ratione. Whilst they may often portray the beliefs of the Anglo-Saxons in a very biased light as they are often records of what should be punished, they still give give a good indication of what kind of practices may have taken place at the time. Some of the edicts passed were surprisingly late, which only showed how persistent some of the old pagan ways must have been at the time. A great example of this is a law passed by King Cnut in the early 11th century which forbade "all heathen practices. Namely the worship of idols, heathen gods, and the sun or the moon, fire or water, springs or stones, or any kind of forest trees, or indulgence in wiccecraæft or morþweorc, that is the compassing of death in any way, either by sacrifice or by divination." It is also very clear that Anglo-Saxon culture was heavily involved within mystical practices due to the amount of words that we know existed in their language such as lybcræft (magic), lybblác (witchcraft), begalan (to enchant) and morþweorc (to use poison and magic to kill someone), just to name a few.

Photograph: Beccy Dancer (2019)

A rare piece of evidence for the practice of magic within Anglo-Saxon England that has survived all of these years is the Nine Herbs Charm, which is part of the larger Lacnunga; a collection of manuscripts written about the healing properties of plants within the 10th and 11th centuries. Although this does contain some Christian references, it is believed that the manuscript dates back to a much older time as descriptions of the god Woden (or Odin, in Norse Mythology) suggest a heathen origin. In general, the charm describes a number of potent herbs such as mugwort, nettle, chamomile and fennel and how they can be used for ailments, however, it is the following passage that really caught my attention:


"Fille and Finule, felamihtigu twá,
þá wyrte gesceop witig drihten,
hálig on heofonum, þá hé hóngode;
sette and sænde on VII worulde
earmum and éadigum eallum tó bóte.
Stond héo wið wærce, stunað héo wið éáttre,
séo mæg wið III and wið XXX,
wið feondes hond and wið færbregde,
wið malscrunge mánra wihta."

English Translation:
"Chervil and Fennel, most mighty two,
those worts were shaped by the witty Drighten,
holy in the heavens, where he hung;
set and sent (them) into seven worlds
for the wretched and the wealthy for all a cure.
Stands she against pain, stuneth (dasheth) she against venom,
that prevails against three and against thirty,
against the fiend's hand and against far-braiding (shape-shifting?),
against maskering (bewitching) by evil wights."

The story for Odin's quest for wisdom is well documented within the Scandinavian poem, Hàvamàl, which is what I believe is being referenced in the above verse. It is known within Germanic lore that the All-Father had a real thirst for knowledge and sometimes in order to obtain this, a sacrifice was required. In this particular story, Odin pierced himself with a spear and hung himself from the great tree of Yggdrasil for nine days and nights and refused any aid from the gods as a sacrifice, in order to prove himself worthy. In reward for his pain and suffering, he not only acquired the knowledge of how to wield the runes, but he became one of the wisest beings within the cosmos with the ability to heal emotional and bodily wounds, to bind his enemies and render their weapons worthless, to expose and banish practitioners of malevolent magic and to wake the dead, to name a few. It seems clear to me then, that this particular passage within the Nine Herbs Charm points to the fact that without Woden's sacrifice, perhaps the people of the land would not have been able to gain the knowledge of how to use these plants for healing and magical purposes.

Photograph: Beccy Dancer (2019)

The practice of Seidr; a pre-Christian form of magic utilising aspects of shamanism in order to influence the course of future events, is a concept that is well documented within Norse Mythology and is most famous for it's use by the Norns. Although we do not know for certain if this is a form of magic that was practiced within Anglo-Saxon England, there is a strong probability that this, or something very similar, is what was practiced by the village's wise women during their time. The Anglo-Saxons shared many similarities to their Scandinavian counterparts, especially in their belief systems, so it is possible that from looking at the wide array of information we have for magic within Scandinavian culture, we may be able to better understand the Anglo-Saxons. Although there are many words within the Anglo-Saxon dictionary that describe a 'witch', one of the only terms that we have available to us that gives us some insight into their role within society is the term 'haegtesse', which the modern term 'hedgewitch' is derived from. This term literally means 'hedge-rider' and refers to someone who travelled between the physical and spiritual realms; perhaps using shamanic abilities to interact with long lost ancestors or the gods and spirits within the other world for help and guidance in earthly matters.

Whilst delving into the mysteries of Anglo-Saxon witchcraft and magic, it is very important to bear in mind the quote from Dr. Brian Bates as mentioned at the beginning of this article; that the Anglo-Saxons were accustomed to living very closely with the natural world around them and that they had an enchanted view of it. They lived in small communities surrounded by nature in timber framed buildings and relied heavily on the natural world, particularly the forests, for their building materials, good, shelter and protection. Therefore, it is no surprise that the natural world was heavily revered by the heathen Anglo-Saxon tribes and the spirits of natural world, such as the aelfar (elves), were often incorporated within their spiritual partaking. The Anglo-Saxons had a very different view of the world as we do today; they saw that there were multiple layers to this dimension and that a tree, a rock or a stream were not just that, but perhaps a home to a local spirit or an entrance to a dwarves' layer. It is this unique perspective of the natural world that they had that every spell, charm, or healing recipe they conjured would have been founded upon.

Photograph: Beccy Dancer (2019)
I strongly believe that the only way to gain a true understanding of Anglo-Saxon magic is through ancestral insight and by using the ability to see beyond our material world. This form of magic is vastly different to what you will find taught in books on modern witchcraft, such as Wicca, and a deep and profound knowledge of this craft will not be obtained by reading alone. In order to fully embrace it, it is essential that you are able to listen to the natural world that is all around you; not only to be able to see beyond the veil in many respects, but to understand how the landscape surrounding you would have served you in a primitive community and how close that bond or relationship with the earth would be. The Anglo-Saxons arrived in Britain shortly after the Romans had fled, leaving their grand civilisations and innovative buildings like ghost towns behind them, to remain uninhabited in favour of much more simplistic, humble structures. It is believed that the Anglo-Saxons' relationship with the natural world around them was what was most important and no extravagant abode was worth it's sacrifice; perhaps this is a principal that would greatly benefit our lives in the 21st century.

Thank you for taking the time to read this and as always, please let me know your thoughts below.


Green Blessings,

Clare 🌿

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Thursday, August 15, 2019

The Legends of the Rollright Stones

Recommended Listening: Nhor - Ante Primam Lucem

The Cotswolds are an exquisitely beautiful area within central rural England: for those who are either not aware of it's beauty, or have not had the opportunity to visit, it is best described as a land of rolling hills, meadows and picturesque towns and villages rendered out of a distinct type of stone. With it's quaint shops and tearooms, renowned art galleries, antique dealers and the typical 'English' charm everywhere you cast your gaze, it's no wonder that a visit here will only conjure an unknown nostalgia, or the feeling of visiting a world long gone.

Is it any wonder then, that these majestic landscapes are filled with stories of myth and magic? Scattered with burial mounds and long barrows such as Belas Knap, Notgrove and Nympsfield, the Cotswolds have a long and rich history dating back to the Neolithic era. Perhaps the most awe-inspiring of these sites is the Rollright Stones, situated on the Oxfordshire border, which consists of three elements: The Kings Men (a 4,000 year old stone circle), The King Stone (a weathered standing stone) and The Whispering Knights (a 5,000 year old burial chamber). These rugged and outlandish stones have been inspiration for many artists and writers, most notably J.R.R Tolkien who described them as "jagged teeth out of green gums" when used describing Frodo's flight across the Barrow Downs in The Lord of the Rings.


Photograph: Garett Mensching (2017)
Predictably, a site of such age has accumulated many stories over the years; the most popular and well-known one being how the stones received their names:

It is said that once upon a time, a King and his army were riding across the Oxfordshire countryside when all of a sudden, they were accosted by a local witch who said to the King...

"Seven long strides thou shalt take, says she
And if Long Compton thou canst see,
King of England thou shalt be!"

The King and his men discussed the challenge that was put before them and eventually the King took seven long strides forward, only to find that his view was blocked by the brow of a hill. The witch cackled and said...

"As Long Compton thou canst not see,
King of England thou shalt not be!
Rise up stick and stand still stone;
For King of England there shalt be none!
Thou and thy men hoar stones shall be,
And I myself an elder tree!"

And with that, the witch turned the King, his men and his whispering knights all into stone. You will also find an elder tree hidden deep within the bushes, towards the north-westerly side of the The Kings Men.

Photograph: Clare Webster (2019)

Whilst it is unclear exactly what the original uses of the Rollright Stones were, there is an undeniable aura of magic and mystery regarding this place and many tales of death, superstition, fairies and witchcraft surround the stones which have trickled down through the ages. There seems to be a history of harm coming to anyone who has attempted to damage or move the stones: one Banbury man had his cart wheels locked solid, making him unable to move, when he tried to chip a piece off one of the stones and it is also said that a soldier once took another piece of stone from the site to India with him where a bout of typhus killed him shortly afterwards. For those of you with a more wild imagination and an acquaintance with other realms, it may not come as a surprise that there is also a tradition that fairies live in small, cave-like dwellings under the stones and are said to emerge at midnight to dance by moonlight betwixt the stones.

The Rollrights are known to have been a gathering place for witches since at least the 16th century, most likely even longer, and has been the site for many rituals and coven meetings over the years. It is said that in the 17th and 18th centuries, young women used to visit the stones at midnight and touch them with their bare breasts as they were believed to promote fertility. Long Compton, the nearest village to the Rollrights only a mile away, has been synonymous with witches for many centuries and it was once documented that "there are enough witches in Long Compton to draw a wagon-load of hay up Long Compton Hill", so it is perhaps not surprising that this site still remains popular to this day with witches, druids and pagans.

Photography: Beccy Dancer (2017)


It is through the latter that I first became acquainted with the Rollright Stones almost a decade ago, to what has blossomed into a deep, unconditional love; or codependency, even. It all began the first time I spirit-walked, completely unintentionally. From being in a relaxed and meditative state, I suddenly found myself elsewhere; my eyes seeing and soul experiencing things outside of my body, far away from where I physically was. I'm not sure I was even aware of this place at the time it happened; I knew I certainly hadn't been there in my physical body before as it was so unfamiliar, yet familiar at the same time. The faint breeze across the side of the face whilst watching the sun set against the rolling hills in the distance, all whilst cradled by the tall pine and ash trees surrounding me; I'd never felt so at home. Standing barefoot, completely alone and grounded within the centre of the circle is a place I have been many times before; both in my physical and spiritual body, and I never grow tired. There are always new things to learn, and new spirits to meet.

The first time I ever visited the stones in my physical body, I distinctly remember being a cold, midweek evening: a group of local witches fleeing to the circle to catch the Full Moon in all her glory as a bit of an afterthought, with ill-prepared rituals and all. I remember I felt an intense pull, or beckoning towards the stones as we were approaching closer; I'd never felt anything like this before. Again, it was the sense of being called home after so many long, lost years of senseless meandering. When we finally arrived, our haphazard vigil bore no resemblance to the magic that I immediately felt all around me. From that day on, this place has completely held my heart, to which I doubt it will ever let go.

Now, I often visit when I feel the need to escape my worldly woes and to recharge. It's quite overwhelming sometimes to think that a few moments of silence can nourish every fibre of your being. I never have enough answers; always too many questions, but the spirits I have met there always do their best to guide me. I still cannot, for the life of me, explain what ties me to this place; but perhaps, like many things, an explanation isn't needed.

If you do ever have the chance to visit this enchanting place, I simply cannot recommend it enough. For the time being, perhaps you would like to indulge yourself into some of the art that has been created from it's influence: I am sure you will have noticed it's appearance in both my solo project, YYLVA, and in Edenfall too.

It is an infinite muse.




Thank you for taking the time to read this and as always, please let me know your thoughts below.

Green Blessings,

Clare 🌿

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